For composites, lighting has to match your background. As a photographer it's funny how differently you see the world in terms of light, quantity of light and quality of it. When you start creating composites in which you need to capture backgrounds it ads a whole new element in which to view your surrounding through. Thanks Angela for being patient and bending over backward, literally, to make a cool image. Strobist info: Photographed in my West Seattle Studio Einstein through 60" Softlighter boomed above, b800's through gridded striplights for rim lights on either side. www.nakean.com http://flic.kr/p/nU22LK
