Confidence

A great closeup of Jaybrie Brown from our shoot some time ago. Adhering to the same theme of simplicity here. I love the contrast of his shirt with his skin. I'm also diggin the shallow depth of field that draws your into his eyes. This was lit with a large octa boomed overhead and a 64" PLM directly behind myself and and the camera. If you look in the eyes you can see the catch lights from both modifiers. http://flic.kr/p/nPVq81

Simple Yet Effective

Here's a closeup of Norris Frederick from our first shoot. If you know me then you know I'm obsessed with lighting in general. I love complicated multiple light setups to bring attentention to a specific object or place in the frame. However, lately, I've found comfort and beauty in single light setups. They're much more organic and feel so real. I thought this was fitting for a man like Norris, because he is the real deal! Lit with a single gridded beauty dish through Einstein 640 boomed overhead. No reflector no rim. http://flic.kr/p/nPkNAp

Angela_Leigh

Up close and personal! I was a shocked to to learn that "no one ever takes close ups/headshots" of this beautiful woman! Your missing out photographers, missing out big time! Thanks Angela! Clamshell lighting with Einstein 640 through beauty dish boomed overhead. b800 with barndoors for hair light behind subject to camera left. Black paper with x800 and silver 7" reflector for background light. http://flic.kr/p/o65eNQ

Smiling and Swinging

Love this kid! Brings a smile to my face every day! This is a special smile (When mom surprised us at Lincoln Park. All natural light. http://flic.kr/p/m2YruK

Skate or Die

-Or just look into his Dreamy eyes.... I really liked how we filled the frame with Miles and his board. The compression at 105mm works well to keep lines straight and image flat. Dimension relies solely on the light and shadows. There was something so intriguing to me about keying from beneath for some of these images and I think I'll be revisiting this setup soon. Lit with Large Octa on the floor and pointed up for main. I filled in shadows with a beauty dish from above. Two rim lights provided by stripboxes on either side. The board and shoulder, camera right, or catching a bit of the background light as well. www.naekan.com, www.nakeanworkshops.com/blog http://flic.kr/p/i5QqrW